ISO 51,200 is starting to look like the noise level we saw from the Canon 1DX II at ISO 12,800, so it's acceptable but not "clean." I can recall just a few from my past that represent more than just a tool, but an extension of me as an artist. lens. ISO 80, 28mm focal length, 40 seconds at f/4. Also supported is Hybrid Log Gamma capture, and the GH5S allows you to record high dynamic range content with a low-bitrate 4K HEVC codec. Feature. Battery life has increased by 30 frames to some 440 frames with the LCD, but only by 10 frames to 410 shots the EVF, to CIPA testing standards when using the same H-FS12060 lens. By way of comparison, the Panasonic GH5 has a resolution of 20.3 megapixels in its native 4:3-aspect ratio, or almost double that of the GH5S. One slight change, though, is that the bundled battery charger has been changed to a new model DMW-BTC13 which attaches to a bundled USB AC adapter, but could also be connected to other USB chargers or even your computer to recharge while on the go. You may have noticed that I didn't list a specific sensor resolution just now, incidentally, and simply averred that it was above the ten megapixel mark. 06/21/2019: Review Conclusion posted. However, it doesn’t seem to include native support for phantom power for condenser microphones, although it can be added via the DMW-XLR1 XLR microphone adapter. by Mike Tomkins, Jaron Schneider, William Brawley and Zig Weidelich Imaging Resource © 1998 - 2020. lens, which we reviewed in May2017 and which was released at the same time as the GH5. The Panasonic Lumix GH5s is a Mirrorless Digital Camera with a Four-Thirds sensor and a Micro Four-Thirds lens mount. But that's for stills; you can expect the GH5S to prove much more satisfying when it comes to video autofocus. The 10.28-megapixel sensor exceeded our expectations, producing images with accurate colours and a wide dynamic range. 10MP resolution is limiting for still photos; No in-body image stabilization; Slower AF than GH5; Buffer clearing could be faster; No 6K Photo features due to sensor resolution. But what if I told you it could be improved. The reason is that the Depth-from-Defocus based 225-point autofocus system's algorithms have less data to work with from the lower-resolution 10.2-megapixel sensor. 60mm focal length, ISO 160, 1/500 second at f/10. This trend continues up until neither camera is useful. Side by side at ISO 12,800, the GH5 and GH5S both produce excellent video. Firstly, one of the main differences is in sensor size.The Panasonic GH5S has a sensor size of 10.28MP – getting near to half of the 20.3MP you’ll find on the Panasonic GH5. Each photodiode has grown in size by around 1.96 times, and according to Panasonic that change translates to a 1.5-stop (9.7dB) improvement in the signal-to-noise ratio. Time coding is easy to set using the flash sync terminal and bundled conversion cable for a standard BNC terminal and can play a vital role when synchronising footage from multiple cameras. Physically, the two cameras are almost identical but the GH5S introduces a new 10.2-megapixel High Sensitivity MOS sensor, which together with the latest  Venus Engine 10 processor enables the addition of Dual Native ISO technology, along with a raft of functions found in Panasonic’s Varicam professional camcorders. 2 compatible, ISO 160 to 51200  Dual Native ISO 400, 2500, ISO 80, ISO 100   and ISO 102400, ISO 204800, Dual slots for SD, SDHC, SDXC cards, one slot accepts fast V60 class cards, Dual slots for SD, SDHC, SDXC cards, both compatible with UHS-II and Video Speed Class 90 standards, DMW-BLF19 / 410 shots/charge with monitor, 400 shots/charge with EVF, DMW-BLF19 / 440 shots/charge   with monitor, 410 shots/charge with EVF. For instance, it bests the Canon 1DX Mark II at ISO 12,800 and competes nicely against the Sony A7S II, another low-light/video-centric camera, up until ISO 6400. Ads can be a pain, but they are our only way to maintain the server. Time per shot, averaged over buffer length of 138 frames, then slows to an average of 0.17s or 5.8 fps with a lot of variation. It looks really good, but you'll notice that there are some very deep shadows around the edges that, though for this scene look excellent, offer no real recovery options in post should we want to change that look during editing. (Note that we no longer test single-shot mode with just RAW files, as the results are usually somewhere in between JPEG and RAW+JPEG.). The GH5S' prefocused shutter lag time was 0.045 second with the mechanical shutter, which is very fast and actually a bit faster than the GH5's 0.056s. Plus, the GH5S includes V-Log, for much better control over dynamic range and color grading in post processing -- this is included by default on the GH5S, whereas V-Log is a paid upgrade option on the GH5. If you're wondering why Panasonic would remove the in-body stabilization, so were we. I'm still trying to wrap my head around the technology that Panasonic packed into the GH5S, especially with its incredible low light, high ISO performance. And we're not joking when we say that this camera will pretty much focus in the dark. Where images shot with varying aspect ratios on most digicams will also vary in their diagonal field of view, with the Panasonic GH5S it never changes, and that makes choosing aspect ratios is a totally guilt-free experience. Raw files are recorded in Panasonic’s proprietary RW2.RAW file format. For documentary shooters or run-and-gun videographers, IBIS is a huge deal. Angled view of the Lumix DC-GH5S with the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH. 12 frames/sec. Still frame from MOV (LPCM) video clip recorded at 1920 x 1080 pixels, 50p, 10-bit, All-Intra, 200Mbps. In terms of their basic hardware, both the 3.2-inch, 3:2-aspect, 1,620k-dot LCD monitor and 3,680k-dot, 100% coverage OLED viewfinder are essentially unchanged, although the latter can now operate with a 120 fps refresh rate as in the G9, rather than being limited to 60 fps refresh as in the GH5. We carried out our timing tests with the same two Panasonic cards as we used when testing the GH5, one a SDXC UHS-II U3 Class 10 card with a capacity of 128GB. Clean performance at 12,800 is already extremely impressive, but what about at even higher ISOs? On the GH5S, however, you can use 24p, 25p, 30p, 50p or 60p options in either format. 2.0, 4K 4:2:2 10-Bit Video, Full-Size HDMI Out, 3.2-Inch LCD, DC-GH5 (Black) For sake of simplicity, we're going to calculate it in 3 stages. Firstly and more obviously, the IS system itself can make noise that could potentially be picked up on your mics, disrupting your audio track. The noise has been dramatically reduced, and overall the footage is significantly more usable.  Flash modes: Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off  *For iA, iA+ only. The LUMIX DC-GH5S is designed to be much more than just the efficient video capturing device Panasonic bills it as. In single AF mode the review camera and lens were able to lock onto subjects instantaneously, even after dark. (Capture frame rates vary from two to 60 or 240 fps for 4K and Full HD respectively, and output rates from 24 to 60 fps.). Single-shot cycle times were quite fast at 0.39 second for best quality JPEGs and 0.45 second for RAW+JPEG. At ISO 12,800 and higher, the GH5S does begin to falter in terms of video image quality compared to the larger-sensored 12MP A7S II. If you need more performance, you can shoot in 4K Photo mode which will record an ultra-high def video at 60 fps, then allow you to extract frames at 8.3-megapixel resolution. Panasonic would have had to develop a new body design that provided enough space behind the lens for correction adjustments without introducing vignetting. It allows us to put different LUTs and looks over the footage to do just about anything we want.  Wi-Fi function: Yes, IEEE802.11b/g/n with Bluetooth  Low Energy v4.2  & QR code connection Over the years, the high-end GH-series models then emerged as video-shooting powerhouses, with each successive model adding more and more advanced video recording formats, features, and shooting modes. And part of me thinks that's a good thing, and the other part of me thinks that's a missed opportunity. capability, either. Aside from the video features, which are covered in detail below, the main differences between the GH5 and the GH5S are laid out in the table below. Clearly that's not the case. In the interim, the GH5s is a very impressive camera for both stills and video and, as such, will be a better choice than the GH5 for anyone who prioritises video over stills. The GH5S has much more room to house those megapixels, which means they can be made much larger than those within the GH5 (1.96x larger). Whether it can match the output quality of the third generation α7S model (which has yet to be released and is likely to be significantly more expensive) will need to be tested. What's even more impressive is how the GH5S compares to a full-frame camera like the 1DX Mark II. However, both slots in the new camera are compatible with the high-speed, high-capacity UHS-II and Video Speed Class 90 standards, whereas only one slot in the GH5 supported   V60 class cards. Our Imatest assessments showed the review camera exceeded expectations for the sensor’s resolution with JPEG files both near the centre and towards the periphery of the frame. As mentioned, the primary changes to the GH5S compared to the standard GH5 is the imaging pipeline. In addition to the total of 225 focus areas, the GH5S provides options for Face/Eye Recognition, Tracking AF, 1-area AF and Pinpoint AF to assist with precise focusing. Autofocusing was similar to the GH5’s, which isn’t surprising since the system is essentially the same in both cameras. In contrast, the GH5S in the exact same situation at the exact same settings does considerably better. Four aspect ratio settings are available: 4:3 (the default), 3:2, 16:9 and 1:1. However, as we noted near the outset, there's one fairly major feature subtraction compared to the GH5, which may persuade many photographers to opt for the higher-res body instead. But there are cameras that feel as though they were created with purpose, care and as though the developers not only understood what we as artists wanted, but also saw beyond our desires to craft a finished product that exceeds even the loftiest of expectations. It easily fits into both professional and amateur videographer productions and workflows. And that, of course, also means there's no Dual I.S. Like the GH5, the GH5S is equipped with dual SD card slots.  Dust removal: Supersonic wave filter An interesting feature derived from the new sensor and processor is Panasonic’s Dual Native ISO technology, which was originally introduced via the company’s professional camcorders. Please follow our new sister website L-rumors.com if you want to read all news about the new L-mount alliance and the new Panasonic Full Frame S1 cameras. Time per shot, averaged over 600 frames, then slows to an average of 0.2s or 5.0 fps when buffer is full. Plus, Full HD (1920x1080) can be captured at up to 240p. Read on to find out!  Sequence shooting: Mechanical shutter: Max. There are so few cameras that I cling to as treasured objects these days. Available-light stills shooters, astrophotographers and the like will likely also be interested despite the lower resolution versus the GH5. Of course, it can still take still photos, but at the end of the day, the GH5S is designed for video and serious videographers. Conclusion  The low pixel count of the GH5S has paid dividends in both still image and video quality, particularly in difficult lighting conditions. Buffer capacity is essentially unlimited when shooting JPEGs (600+ frames), while RAW buffer depth is very generous (though not unlimited). Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH. The camera can record 4K video clips in the MP4 or MOV formats but is limited to Full HD 1920 x 1080 with the AVCHD mode. That said, given the GH5S's intended focus as a professional video camera, it's safe to assume that most users will be cinematographers that utilize manual focus the vast majority of the time. PAL users can choose from the following settings when shooting video with the GH5S: As you can see from the table above, most clips are recorded with Long GOP (Group of Pictures) compression. The sensor has a surface area of 224.9 mm². Time it takes to turn on and capture a shot. But that camera has a 35.6 x 23.8 mm sensor that is almost double the size of the GH5S’s chip. The allows the camera to use the entire chip area when recording Cinema 4K video movies, which have a frame size of 4096 x 2160 pixels. You can however take additional photos and adjust settings while the buffer is clearing. The same DMW-BLF19 battery is used in both the GH5 and GH5S but the GH5S offers slightly higher battery capacity, presumably because no power is needed to drive the sensor-shift IS system. Output from the sensor is processed by the latest Venus Engine 10 processor which has enabled the highest ISO setting to be increased from  ISO 25,600 on the GH5 to ISO 51,200, with extension available to   ISO 204,800. This is a video-centric camera, and the fact it takes photos really is secondary. And secondly, the IS system moving could potentially disturb your framing, something that we understand could occasionally be triggered by environmental noise. With 14-bit raws, both figures drop by one frame per second. POWER O.I.S. Both colour and contrast were compromised at ISO 204800 and images appeared flat and very granular. ISO 51200, 28mm focal length, 2 seconds at f/11. 06/14/2018: Performance posted When shooting in bright conditions, we found the stabilisation in the lens to be adequate for both stills and video clips, and good shooting techniques made it possible to record steady footage with the camera hand-held in quite low light levels. +/-3 EV, single/burst It can also shoot anamorphic and desqueeze that footage on a monitor all through the camera's firmware. And you know what? With the exception of the original, the Panasonic G1, all Lumix MFT cameras have also shot video to some extent. Flash exposure adjustment: +/-3EV in 1/3EV steps The sensor area in the A7S III is 276 percent bigger. Video  Video is the area in which most of the changes have been implemented ““ and there are plenty of them. This is dramatically larger than the original GH5, which saw its ISO range stop at 12,800. It has quickly unseated every other tool I've used to create video in the past five years and jubilantly jumps ahead of any curve I've yet to throw at it.  Flash: TTL External Flash (sold separately) Compared to the sister model Panasonic Lumix DMC-GH5 the GH5S differs mainly in the following properties: Image sensor „Multi-Aspect“ with aspect ratios 4:3, 3:2, 16:9, 17:9 „Dual Native ISO“ (with two amplifiers per pixel with different amplification factor) From   ISO 25600, the dynamic range in shots was progressively reduced; interestingly without much loss of highlight detail, although shadows became somewhat blocked up. The downside to the Long GOP codec is that it requires much more processor capacity than All-Intra, which encodes each frame individually, like a series of JPEG images. But that doesn't mean it can't be one of the best filmmaking cameras ever made. The increase in dynamic range delivered by this technology is up to 12 stops for both native ISO speeds. The GH5S offers better video quality, more recording options, and just tons of advanced video features. The GH5S has a new slightly larger 10.2MP MFT sensor with half the pixel count of the GH5’s 21.7MP, but these pixels are almost two times larger. Thanks to broad margins of effective pixels, focal length does not change in these aspect ratios.  Shutter (speed range): Focal-plane shutter (1/8,000 to 60 seconds plus Bulb to 30 minutes), Electronic shutter (1/16,000 to 1 second); mechanical shutter rated for 200,000 cycles The GH5S separates itself from the original GH5 in two other ways, one being the removal of on-sensor stabilization, and the second being the inclusion of VLog out of the box.
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