When The Museum of Modern Art’s first director, Alfred H. Barr, Jr., met Aleksandr Rodchenko on his trip to Moscow in 1927—one of the first times an Anglophone art historian had visited the Soviet Union in the years since the Russian Revolution—he wrote, “Rodchenko showed us an appalling variety of … 1920s. A peculiar thing happened in Russia in the early 1920s. Name variations: (pseudonym) Varst. Varvara Stepanova and Liubov Popova. Kindyll Killian; 09 Apr '20; Designers & Studios “Designs for Sports Clothing” was produced in 1923 in the swing of constructivism and is a prime example of Stepanova’s work in utilitarian fashion design. Aug 1, 2019 - Explore Dariusz Nowak's board "Varvara Stepanova" on Pinterest. In 1928, Russian artist Varvara Stepanova (1894-1958) designed a unisex sports uniform with a striking geometric design that accentuated the movement of the athlete. In an official capacity, Stepanova and Rodchenko worked for the Literary and Visual Arts Department of the People’s Commissariat of Education and Culture, taking the work of contemporary artists to the provincial regions outside of Moscow, in line with their beliefs that art was for everyone to see. But before that, Stepanova moved to Moscow in 1912, attending the Stroganov School and from 1914 gave private art lessons and had her first exhibition, at the Moscow Salon. The dream was a modern world where men and women from all walks of life could work productively, side by side, in an egalitarian society. She was born into a peasant family, but attended the Kazan art school, an achievement which was very unusual for someone of her upbringing. Varvara Stepanova – the philosopher designer. Lyubov Popova and Varvara Stepanova. Russian, 1891–1956. Costume was called “Prozodezha” or “Production Clothing” for performers, and sportswear “Sportodezhda”. Varvara Stepanova. The factory demanded cost savings, and both artists began to work in a limited range of colors, using two or … Such clothes were meant to fit in with the general ethos to create simple … She contributed work to the Fifth State Exhibition and the Tenth State Exhibition, both in 1919. Victor Stiebel, the couturier who put Marlene Dietrich in a top hat and tails. With bold lines that echoed the jumping, running, ducking and weaving of its wearer, the boxy shape, utilitarian design and block colours precipitated the minimalist look of contemporary fashion labels such as Alpha 60, Kuwaii and Above. Stepanova poses in sports clothes of her own design, 1923. In fashion, sustainability is linked to the use of garments. Her designs were rooted in idealistic ideas of being anti-aesthetic, instead focussing on the core qualities of being functional, comfortable, easy to clean and long lasting, but were nevertheless extremely stylised and distinctive. The results were striking with bold colour contrasts and optical flickers in the fabric print that force us to look again and more closely. She died in 1958 in Moscow. A year later, fully attaining her aims of creating Industrial Art, and becoming the ultimate artist engineer or productivist, she also worked at the First State Textile Print Factory for a year, where she created 150 fabric designs at a feverish pace, 20 of which were produced. Varvara Stepanova. SOVIET CLOTHING AND TEXTILES OF THE 1920s essays by Lydya Zaletova, Fabio Ciofi degli Atti, John E. Bowlt, and others translated by Elizabeth Dafinone Rizzoli, 1989 VARVARA STEPANOVA: THE COMPLETE WORK by Alexander Lavrentiev edited and introduced by John E. Bowlt translated by Wendy Salmond MIT Press, … The Constructivist declaration of 1921 called for artists to give up painting and instead, design Soviet mass-media and mass-production as ‘artist-engineers’ or ‘productivists’. Stepanova was an artist who had many wheel houses: graphic design, manuscript design, set design, textile design, and painting, all of which served to help her rocket to the front line of constructivism in the U.S.S.R. We are more inclined to spend money to ensure a living wage is paid to those who produce it, and we are more likely to take the care to hand wash, dry clean, repair and care for that garment in the long term. ... A lot of the more “radical” futurist and constructivtist clothing designs (including some you posted above) were … August: With Stepanova and daughter Varvara, Rodchenko is evacuated to Molotov in the province of Perm, about 1,000 miles from Moscow. You can see that they have been cut far more elegantly and less bulkily than in the original image. At the time Stepanova was designing, issues of environmental sustainability were only a shadow on the horizon. Sports outfits designed by Varvara Stepanova. Stepanova, mostly known for her textile/clothing designs was married to Constructivist artist Alexander Rodchenko.
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