It allows mounting lenses from 23 to about 150 mm focal length without a bellows and takes mounting plates for Hasselblad, Leaf, and Phase One digital backs. A larger sensor provides room to produce larger lenses, which are easier to make, … I shouldn't have said dSLR The Hassy dSLRs have a single autofocus point, to Nikon's 153 autofocus points. Are TLRs better or is it just a shape preference? The view finder is bright and huge, and can thus be used for manual focusing. Intro. Originally the Pentax 220 which was created in 1965 as an SLR medium format camera system that was compatible with 120 and 220 film. jozef povazan. This is most valuable in 4 color or greater magazine reproduction printing. I for my part will wait a year or two before I upgrade. The largest advantage is cost. “Focus and recompose” is neither fast nor precise for the resolution of the modern sensors. The images shot are true 16-bit. Canon EOS 5D Mark III Digital Camera, Canon EF 16-35mm f/2.8L II, ISO 400, f/5, 2 minutes. In discussion forums, these tests have consequently drawn comments that it would be illicit to “compare apples and oranges” and that there are “horses for courses”. The camera was later re-released in 1969 with improvements and with a new name, now the ‘Asahi Pentax 6×7’. I also have a bronica SQAi system with a full compliment of … But the perceived image quality is not only about spatial resolution; it is to a large extent related to tonality (color gamut and tonal separation) and micro-contrast (details in structures that are close together in luminance). 50 MP Medium Format vs. 50 MP Full-Frame: Any Difference in IQ? With the advent of more affordable medium format camera systems like the Fuji GFX 50S and Pentax 645Z putting medium format into the hands of more photographers, whether or not digital medium format is truly ‘better’ than a full frame DSLR or mirrorless camera becomes an important question for those who may be torn between the two. Since then it has gone through a few re-introductions and name changes, ultimately ending up with the ‘Pentax 67’ and ‘Pentax 67II’. Medium Format digital vs DSLR. Here's what to consider when choosing a tripod and head. I’m not sure that the comparison with large format is really that relevant since there are no digital sensors with an area comparable to a large format negative – if anything, medium format digital shooters have long claimed that their (cropped, compared to medium format negative) sensor delivers a result comparable to large format analog. Most lenses work best in only a short range from f4 to f8 and are quickly diffraction limited above. At least as fast as the fastest lenses full-frame offers. So I don’t think that I will invest into the Pentax system; this would be different if I had not bought Nikon’s “holy trinity” of lenses, among others, only two years ago. The dynamic range of both sensors is about equal, with an edge for the Nikon, which also shows better shadow recovery, while the Credo 60 has more latitude and a smoother transition into the highlights. One of these days I had some time to do a series of tests with my Phase One IQ140 vs my Nikon d800. It can produce extremely high quality images. Exploring the explosive beauty of Hawai‘i Volcanoes National Park. But this will require both the silicon to keep up, and the development of faster lenses. Just like the Iphone, the Credo has a very clear menu structure, reduced to the minimum. Of this type, popular brands include Leica, Mamiya, and Hasselblad medium format cameras. A number of comprehensive test reports have been published on the Nikon D800E. But that’s not to say it’ll be familiar. This is very interesting especially in light of the Pentax 645Z coming out at $8500, wondering if the lens quality of the pentax will make it worth the price gap of the Canon/Nikon with the Otus/Art quality lenses. Of course, as medium format evolves, the same gains we see in full-frame over smaller sensors might find their ways into the format. Right: Mamiya/Leaf. Cory. Therefore, choosing such a … When the Mamiya/Leaf combo delivers, there is a clear advantage stemming from the larger sensor real estate. Intro. jozef povazan. Page 1 of 2 1 2 Next > ian|2. For many years Medium Format DLSRs were separated from 35mm DSLR cameras by a huge gap in image quality and resolution (besides a price of course), and this seems to be always like this: twice larger medium format sensors without AA (blur) filter did not leave any chances for 35 mm cameras to match the resolution and image quality. I shouldn't have said dSLR The Hassy dSLRs have a single autofocus point, to Nikon's 153 autofocus points. Ren and Helen Davis want to make sure his story isn’t lost to history. Output sizes below 200 dpi yield blurred images whereas uprezing results in digital artifacts and washed out surfaces. We can also hope for a price reduction on the medium-format CMOS backs, just in time before film becomes completely unavailable. Discussion in 'Medium Format' started by terence_meeks, Sep 2, 2007. terence_meeks. “Faerie Grove”—Olympic National Park, USA. No extra sharpening applied in Photoshop but heavy tweaking for color balance and contrast. https://www.adorama.com Today's Question: Why would you use a medium format camera over a normal DSLR? Older manual lenses can be had for pennies on the dollar of their original price as well. … Personally, even if I were offered a medium format digital system for free, I probably wouldn’t use it that much. Thanks for any input. medium format vs DSLRs. With such a close run between the 60 MP Leaf Credo CCD and the Nikon/Sony 36 MP CMOS sensors I am convinced there lies more potential in the lenses. Its image sensor is much bigger than those found in most high end DSLRs and mirrorless cameras. With this setup I did not mind having to change ISO settings through the menu. I just can’t fill the frame. You’d have to sink more money into Zeiss Otus lenses to make the best of it. So, what’s the bottom line? However, film pulls out about 2400 dpi worth of information per inch, which corresponds to 8 Megapixel for 36 mm and an impressive 115 MP for a sheet of 4×5”. Medium format SLR camera for 120/220 roll film: Pentax 6×7 front. The dynamic range on a medium format camera is 14-stops more than that of a DSLR! Nikon D800E, Nikon 45 mm f2.8 PC-E, shot at ISO 100, 1/20 s, f8. Stock . DSLR Vs Medium Format - PhaseOne Vs Canon Part 1 is here: https://www.youtube.com/watch?v=r_n2N0RQJVM In Part 1 I show shooting with … In the film days the equation was easy, given a relatively limited choice of film material, bigger was better. That also means the lenses are larger and the price tag is usually much larger, as well. It is ideal for users on a budget as it is one of the most affordable medium format digital cameras available in the market. When using the viewfinder, I found the light emitted by the screen irritating. With the Nikon it is like looking into a dark tunnel, in comparison. Desert landscapes would have been even better, but are (fortunately) not accessible in this part of the world. For example, a 24mm lens on a medium format system is equivalent to an 18mm DSLR lens. Re: DSLR vs. The Hassy mirrorless focuses in 2-3 seconds, according to early reviews, to a few hundred milliseconds for Sony/Panasonic/Olympus mirrorless. At this point in the evolution of digital camera technology, size really doesn’t matter as much as it used to. Likewise, sensor types also vary from cropped to full frame to medium format. If you take the weight of a medium format camera with a lens, it will be about 4.4 pounds, which is significantly more than the usual weight of a camera. For all of the reasons I have outlined above, I really don’t think that it will. Another type of medium format digital camera is one based on the design of a full-framed DSLR.